The Anne brand mentioned in the essay.Cameo (Japan & the U.K., 1960s-1970s?) Box, tampon, ad. It's the same as Ortex Gold and Anshin. (Tambrands gift, 1997)
Cellopon (Japan, 1968) Box, instructions, tampons. No applicator. With a discussion of the mutual influence of European and Japanese art & an example from Van Gogh. (Generous gift from Tambrands, 1997)
Elldy (Japan) tampon with finger cots (like Anne, above), box - ad in Junie magazine (October 1996) - instructions from 2011 a Hispanic woman in Japan sent. Emil (Japan, 1974) box with tampons & instructions. (Gift from Tambrands)
Early Japanese ads for menstrual belts, part 1 (part 2, 3) Japan influences England influences Japan: artist Aubrey Beardsley
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See
the original
Museum of Menstruation,
a cartoon visit,
the museum's future,
and reaction
to it and this site.
The picture above I adapted from a design on a Japanese lacquer writing box, about 1850-1900, at the Chong-Moon Lee Center for Asian Art And Culture,
San Francisco, California.
The Origin of Menstrual Leave in Japan Essay by Hiromi Mizuno For Professor Sandra Lee Bartky
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Page 20, (first 2 pages & Introduction)
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End: Pages 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
MORE Japan:
The Anne brand mentioned in the essay.Cameo (Japan & the U.K., 1960s-1970s?) Box, tampon, ad. It's the same as Ortex Gold and Anshin. (Tambrands gift, 1997)
Cellopon (Japan, 1968) Box, instructions, tampons. No applicator. With a discussion of the mutual influence of European and Japanese art & an example from Van Gogh. (Generous gift from Tambrands, 1997)
Elldy (Japan) tampon with finger cots (like Anne, above), box - ad in Junie magazine (October 1996) - instructions from 2011 a Hispanic woman in Japan sent. Emil (Japan, 1974) box with tampons & instructions. (Gift from Tambrands)
Early Japanese ads for menstrual belts, part 1 (part 2, 3) Japan influences England influences Japan: artist Aubrey Beardsley
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© 2016 Harry Finley, Hiromi Mazuno. It is illegal
to reproduce or distribute any of the work
on this Web site in any manner or medium
without written permission of the authors.
Please report suspected violations to hfinley@mum.org
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